Friday, February 13, 2015

The Hunch




It starts with the solitary intimations of a problem, of bits and pieces here and there which seem to offer clues to something hidden.  They look like fragments of a yet unknown coherent whole.  This tentative vision must turn into a personal obsession; for a problem that does not worry us is no problem: there is no drive in it, it does not exist.    
Polanyi, The Tacit Dimension

A problem that does not worry us is no problem.  No problem!  Isn’t that the point?  To have no problems?  Hey man, no problem.  No worries.  I don’t have a problem with that.  You got a problem with it? 

Like “criticism,” the word “problem” has a very different meaning in creative or scientific inquiry than it does in casual conversation.  It’s the nature of scientific problems that epistemologist Polanyi is talking about in the quote above, but it applies equally well to design, particularly in design research, that mysterious territory of abduction, selective historiography, and innovation.

I shared this quote with my Comparative Urbanism class to shore up my own theories of problem-setting and solving because the syllabus emphasizes “independent research” on a topic of the student’s own choosing.  The word “research” looms opaque and intimidating over design students.  Am I supposed to be a scholar?  Am I supposed to be proving something?  Disproving something?  How is it all supposed to help me design, when I close the LOC or Avery website and start sketching? How do I choose a topic? A thesis question?  (If you really want to torment a graduate student, be sure to ask, every chance you get, no matter the subject of the conversation, “but what’s your thesis question?”)

It begins with The Hunch, my shorthand for what Polanyi more eloquently explains in his little but dense book The Tacit Dimension.  The Hunch comes from perception, experience, and exposure.  It is personal, but if we are dedicated to contributing to our chosen fields, it can’t stay that way.  So, as we reflect on where The Hunch came from, we have to figure out a way to interrogate it.  Historical research? Primary sources? First hand observation? Interviews? Design research is catholic, small c intended; it opens its eclectic arms to embrace bits of the scientific method, investigative journalism, historiography, and detective work, not to mention leaps of creativity. It’s easy to be transgressive in design research, to spill over accepted boundaries and make inappropriate noises.  Oddly, that’s its strength because its goals, its ends, are quite different from these other forms of research.  What’s important, though, is for the designer to determine exactly what standard of scholarship is necessary for action.  And then be completely faithful.


I have a hunch. I’ve had it for a while but haven’t yet done the research necessary to own it.  It is personal, constructed on my time spent in Williamsburg and Washington, but its significance isn’t limited to me.  It is a good problem, and it obsesses me with a constant background buzz, begging for attention.  It’s this:  That the late 17th century plans for the two royal capitals of the Virginia and Maryland colonies, Williamsburg and Annapolis-- both designed in the 1690s by Sir Francis Nicholson—influenced L’Enfant’s plan for Washington a hundred years later. There’s a lot of correlative evidence for this with various asides and casual mentions by John Reps, Larry Vale, and others of similarities among these cities, but I’ve yet to see anything that documents an actual influence.  And, I have my own slightly conspiratorial theories about that.  What would I need, aside from simply elevating this hunch to the top of my research to do list, to write the definitive urban proof?  Some correspondence between the father of our country and his architect, maybe something like this…

Dear Peter,

I’m glad to hear you’ll be tackling the Capital City project!  Your letter was quite persuasive.  You’re so right that no nation has ever had such an opportunity…no pressure, though.  BTW, Tom will come around, I’m sure, but you know how he is. He’s a smart guy—won’t let anyone forget that he went to William and Mary—but on this project he’s just not thinking big enough. 

The whole French connection will be a big selling point, even though things are looking a little rocky over there right now. Still I see your point that just a nice plan of rond-points and diagonal avenues overlaid on a Cartesian grid isn’t enough to make decisions about where to locate important buildings.  So by all means, make use of that Nicholson fellow’s work in Maryland and Virginia, but let’s keep that to ourselves.  Mentioning an English precedent?  Too soon, Peter. Too soon.

Cheers,
GW

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